David von Krafft, konstnär, målare, född 1655 i Hamburg, död 1724 i Stockholm. David von Krafft blev kallad till Sverige 1675 av hofkonterfejaren (hovmålaren) David Klöcker Ehrenstrahl, som dessutom var hans morbror och nu även blev hans lärare i den ädla konsten att måla. Senare studerade von Krafft vidare ett tiotal år i utlandet, särskilt i Italien, slutligen blev han Ehrenstrahls ersättare som hovmålare. Nu fick han en massa beställningar och uppdrag och han målade sakliga och säkert tecknade porträtt, som tyvärr dock är ganska entoniga och kalla i koloriten. Bland hans bästa arbeten är porträttet av Karl XII (finns i Lund) samt av Carl Gustaf Armfeldt d.ä. (Drottningholms slott). I Kalmar domkyrka har han målat altartavlan (dock efter en komposition av en italiensk konstnär). David von Krafft finns representerad vid Nationalmuseum, Malmö Museum, Göteborgs konstmuseum och på Gripsholm. Krafft hade ett stort antal lärjungar och bland dem Gustaf Lundberg och Olof Arenius.  Related Paintings of david von krafft :. | Portrait of Princess Hedvig Sofia of Sweden, Duchess of Holstein-Gottorp | drottning hedvig eleonora | Karl XII | Stanislaw I Leszczynski of Poland | drottning hedvig eleonara |
Related Artists:
Viktor Vasnetsov
Russian Painter , 1848-1926 Painter, designer and graphic artist. He played a leading role in the evolution of Russian art from 19th-century realism towards Art Nouveau with a national historical slant. The son of a priest, he studied at a theological seminary in Vyatka (1862-7); then, developing a passion for drawing, he entered the drawing school of the Society for the Encouragement of the Arts, St Petersburg, and studied under Ivan Kramskoy in 1867-8. He perfected his skills at the Academy of Arts, St Petersburg, in 1869-75 and joined the WANDERERS in 1878.
Johannes Bosboom
(born The Hague, February 18, 1817 - died there September 14, 1891) was a Dutch painter and watercolorist of the Hague School, known especially for his paintings of church interiors. At the age of 14 he became a student of Bartholomeus van Hove and painted in his studio along with Van Hove's son Hubertus van Hove. Together they worked on the pieces of scenery that Van Hove created for the Royal Theatre in The Hague. In addition, Bosboom took lessons from 1831 to 1835 and again from 1839 to 1840 in the Hague Academy of Art. Here he also made the acquaintance of Antonie Waldorp and Wijnand Nuyen. The young Bosboom traveled to Germany in 1835 to Dusseldorf, Cologne and Koblenz and painted the watercolor View of the Mosel Bridge at Koblenz. This painting was purchased by Andreas Schelfhout, who became his confidante and friend. In 1939 he traveled to Paris and Rouen and received a silver medal for View of the Paris Quay and the Cathedral at Rouen. He also painted a number of church interiors, a relatively traditional genre in which the seventeenth century artists Pieter Saenredam and Emanuel de Witte served as important examples. Bosboom had a great deal of success with these pieces, and for the rest of his career he would repeatedly return to this theme, which was the one in which he would achieve his greatest fame. Bosboom's choice of subject matter may seem to isolate him from the rest of the Hague School, but his search for ways to reproduce the spatial atmosphere through light, shadow, and nuances of color places him in the very mainstream of this group. In 1873, during a stay in Scheveningen, he painted many watercolors of town views, the dunes, the beach and the sea. It is possible that these watercolors encouraged Hendrik Willem Mesdag and Jacob Maris to concentrate further on the sea and beach as subjects.
Thomas Brower
British 1830-1896